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EXCERPT from pages 77-83
EXT. TONY'S MARKET - DAY
Parked car.
GRELL (o.s.)
So now what?
HARPER (o.s.)
Relax. We sit here. Wait for
him to come back out.
BRUNO's hertz sits parked outside the market.
INT. CAR
GRELL eyeballs HARPER.
GRELL
Relax. Relax. You know, I've had it
up to about here with all this covert
P.I. bullshit. It might have worked
for Magnum--it's not getting us dick.
HARPER
I think you're wrong. It's amazing
what you can find out about a person
just by observing. Sometimes you find
out things you would have never known.
GRELL
Right. I bet if we had questioned
him--like I wanted to--we would have
never known he enjoys a good mango.
Heck, maybe if we had questioned
him--like I wanted to--we would know
whether he prefers mangoes to coconuts
--cause I'm just dying here wondering.
HARPER
If we had questioned him, we would
have never known about the argument
he had on the phone. That might prove
to be something right there.
GRELL
Come on! He could have been fighting
with his girlfriend for all we know.
HARPER
Maybe.
GRELL
Maybe, my ass.
Grell jumps out of the car.
HARPER
Where you going?
Crossing the street.
GRELL
Buy some fruit.
HARPER
But...you don't even like fruit.
Entering the market.
GRELL
Relax Harp. I'll just observe.
Excruciating sixty seconds. Then --
BRUNO appears; fleeing. COLLIDES with a shopper.
Jumps into his hertz. Speeds off.
Grell exits; shield and piece.
Hurdles over spilt veggies and downed shopper.
Harper, still in disbelief, pulls up in car.
HARPER
Just going to observe, huh?
Grumbling. Grell gets in. Hot pursuit.
EXT. CITY STREET - DAY
Hertz swerves in and out of traffic. DETECTIVES pursue.
Four-way stop.
BRUNO slams on the brakes ... domino effect accident.
Harper jumps the curb. Circumvents the accident.
PEDESTRIANS scatter.
HARPER
Hang on lieutenant!
GRELL
Harp, you fucking idiot!
Detective's car tears up the sidewalk.
Bruno's car turns down a side road; an alleyway.
Trash cans collide with hertz.
Detectives pursue. An awakened BUM grows irate.
Hertz enters an automated car wash parking lot.
GRELL
We got him--we got him now.
Detective's car pulls into the lot.
Big grin. Grell steps from the car.
HARPER
You know all this could have been
avoided.
GRELL
Shut up, Harp. We got him--plain and
simple. That's the way I like things
--plain and simple.
HARPER
I don't know lieutenant. Something
is off. Why would someone drive
into a car wash when they know there's
no way of escaping?
GRELL
You're assuming too much of the
criminal mind.
HARPER
Just seems too easy, if you ask me.
GRELL
Yeah well, I'm not asking you. Now
shut up--here he comes.
From within the chamber of high pressured spray guns
and mechanical buffers, a steaming hertz appears.
HARPER
You don't suppose he got out of his
car in there, do you?
GRELL
You kidding? A guy can get maimed--
even killed in one of these things.
He's not going anywhere.
The final heat cycle complete.
Guns drawn. They approach the hertz.
Windows steamed; the interior concealed.
Grell throws open the driver's side door.
Bruno is not inside.
GRELL
Son-of-a-bitch!
HARPER
I thought you said--
GRELL
--Bite me, Harp! That little prick.
Where the hell could he have gone?
A WOMAN's scream; eyes turn.
They rush over to the adjoining gas station.
Bruno, soaked head to toe, attempts a carjack.
GRELL
(to Bruno)
Freeze asshole!
Bruno abandons the car and flees on foot.
Footrace. Bruno dodges into an old fashioned cinema-plex.
Grell. Harper. Winded. They enter the theater.
INT. THEATER - DAY
200 plus seats. Filled to capacity with film buffs.
GRELL and HARPER enter; scan the theater.
On SCREEN:
Climatic graveyard sequence of "The Good, the Bad, the Ugly."
HARPER
How are we supposed to find him
in here?
GRELL
Just look for the wet seat.
In and out of each aisle.
Peering down every lane.
All eyes ignore the detectives; glued to the screen.
TUCO. ANGEL EYES. EASTWOOD.
They spread out into the center of the graveyard.
Morricone's score builds in intensity.
Detectives' anticipation grows.
Grell steps in a gummy mess.
GRELL
(to himself)
...sonofabitch...
Far end of the theater --
dripping wet BRUNO slouches down into his seat.
The pace of the G.B.U. editing quickens.
Eastwood eyes his two adversaries.
Harper weaves through the hypnotized crowd.
Angel Eyes' fingers move along his gun belt.
Grell stumbles in the darkness.
Tuco's face drips with perspiration.
Bruno's breathing speeds up.
The score's momentum escalates.
Crowd hangs to the edge of their seats.
Climax. The score runs wild.
Angel Eyes grabs for his gun.
Grell moves in.
Bruno cringes.
Eastwood fires.
BRUNO
Nnnoooooo!
Startled crowd turns.
Watches Bruno's frantic flight from the theater.
GRELL
Harp! Harp! Over there!
Hot pursuit. Moviegoers are left behind.
On SCREEN
Eastwood fires his pistol once more, driving --
Angel Eyes' body into an open grave.
EXT. THEATER - DAY
GRELL and HARP race outside. Look up and down the street.
HARPER
There he goes.
GRELL
Shit. He's heading for the El.
INT. SUBWAY STATION - DAY
BRUNO barrels down the stairwell; jumps the turnstile.
Two commuters can't slow him.
TOKEN TAKER yells to a CTA OFFICER.
TOKEN TAKER
Hey! Come back here.
(to CTA cop)
That guy just jumped the turnstile!
CTA cop joins the chase.
GRELL and HARPER enter; jump the turnstile as well.
TOKEN TAKER
Hey! Come back here. This ain't
fuckin' Nu Yawk, ya know.
Subway attendant goes back to reading his newspaper.
TOKEN TAKER
...screwy tourists.
Bruno dodges through swarm of commuters into a southbound train.
Train occupants stare. Clothes drenched from the car wash.
Train begins to pull out of station... STOPS.
Bruno looks out the window.
Grell, Harper, CTA cop charge towards the train.
Bruno yanks the emergency cord; pries open the door.
Exiting--he bolts for the tunnel.
Exhausted. Grell and Harper reach the end of the platform.
They peer into the murky man made cavern.
HARPER
Think he went into the tunnel?
A hushed scream echoes from within the tunnel.
Sparks flicker in the distance.
Ignite the blackened chamber and fade.
GRELL
Yeah. Believe he did.
Pulling fruit from his jacket.
GRELL
Mango?
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